It was made by hitting nails called hammers or steel chisels. It was made without any soldering process and the exact origin of this technique is unknown. It can take months to make. It was made in an orientalist-eastern style reflecting Ottoman culture. The intertwined plant motifs were designed to extend upwards to give the impression of length to the work. Plant motifs were symmetrically decorated on the concave and concave curves formed by sharp lines. The empty spots were combed with a hammer and the plant motifs were brought to the forefront by creating a sense of depth.
The pitcher has a tughra in its center that completes and dominates the composition. The tughra, thought to belong to Mahmud II, features elegant, decorative and vegetal ornaments on both sides. The pitcher, with all its patterns on it, presents us with length, symmetry and orientalism in harmony.